CV

William Powhida

powhida@gmail.com

Education

-Hunter College, New York, New York, M.F.A. Painting, January 2002

-Syracuse University, Syracuse, New York, B.F.A. Painting with Honors, May 1998

 

Selected Solo Exhibitions

2012 Seditions, McKinney Avenue Contemporary, Dallas

Selected Works on Paper, Lycoming College, Williamsport, PA

2011 Derivatives, Postmasters, New York

POWHIDA, Marlborough Gallery, New York

2009 The Writing is on the Wall, Schroeder Romero, New York

No One Here Gets Out Alive, Charlie James Gallery, LA

2008 Sell Out! The Bastard Tour, Platform Gallery, Seattle, WA

2007 This is a Work of Fiction…., Schroeder Romero, New York

A Study for Sofia Coppola’s Film ‘Powhida’, Haines Gallery, San Francisco

2006 Year_06 with Schroeder Romero Gallery, London, UK

Paper Beings, Platform Gallery, Seattle, WA

Joint Manifesto, Plus Ultra/Schroeder Romero Project Space, NY, NY

Everyone!, Dam Stuhltrager Gallery, Brooklyn, NY

2004* Persona, Dam Stuhltrager Gallery, Brooklyn, NY

Selected Group Exhibitions

2011 Terrible Beauty: Art, Crises, Change & The Office of Non-Compliance, Dublin Contemporary, Earlsfort Terrace, Dublin, Ireland

Hiding Places: Memory in the Arts, Kohler Arts Center, Sheboygan, WI

Colorific, Postmasters Gallery, NY

Microwave 8, Josee Bienvenu Gallery, NY

LOL: A decade of antic art, The Baltimore Contemporary, Baltimore

Art on Art, Adam Baumgold Gallery, New York, NY

If These Walls Could Talk: A Conversation, Charlie James Gallery, Los Angeles, CA; Marine, Santa Monica, CA

I Like the Art World and the Art World Likes Me, Elizabeth Foundation for the

Arts Project Space, New York, NY

Readykeulous: The Hurtful Healer, Invisible Exports, New York, NY

2010 Dirty Kunst, Seventeen Gallery, London, UK, curated by Christian Viveros-Faune

Run and Tell That! New Work from New York, Syracuse University Art Galleries,

Syracuse, NY

Art on Paper 2010: The 41st Exhibition, Weatherspoon Art Museum,

Greensboro, NC

Magicality, Platform Gallery, Seattle, WA, organized by William Powhida and

Erik Trosko

The Irascible Assholes: New Paintings From New York, Gallery Poulsen, Copenhagen, Denmark

Trashed, Bystander Gallery, Los Angeles, CA

#class, Winkleman Gallery, New York, organized by Jennifer Dalton and

William Powhida

Two Degrees of Separation, Mandeville Gallery, Union College, Schenectady, NY,

curated by Rachel Seligman

MirrorMirror, Postmasters, New York

Escape from New York, curated by Olympia Lambert, Paterson, NJ

Press Art: from the collection of Annette and Peter Nobel, Museum der Moderne, Salzburg, Austria

2009 Note to Self, Schroeder Romero, New York

The Making of Art: The Art World and its Players, Schirn Kunsthalle Frankfurt,

Frankfurt,  Germany, curated by Martina Weinhart, catalog

Mixing It Up:  Recent Hunter MFAs Working in Combined Media, Bertha and Karl

Leubsdorf Art Gallery at Hunter College, New York

I Want You To Want Me, Marx & Zavattero, San Francisco

Contemporary Art and Portraiture, Cristin Tierney Fine Art Advisory Services,

New York

Summer Solistice, Socrates Sculpture Park, Long Island City, NY (collaboration)

Laugh it Off, Walter Maciel Gallery, Los Angeles, curated by Jane Scott

Funny Games, LOF (Load of Fun) Studios, Baltimore, curated by Jamillah James

2008 CAUCUS, Schroeder Romero, New York

Air Kissing: An Exhibition of Contemporary Art About the Art World, Arcadia

University Art Gallery, Glenside, PA. Curated by Sasha Archibald

Found, Voorkamer Home, Lier, Belgium

2007 SLOW, Plymouth Arts Centre, Plymouth, UK

New American Story Art, eyewash@Croxhapox Gallery, Ghent, Belgium

Air Kissing: An Exhibition of Contemporary Art About the Art World, Momenta

Art, Brooklyn, NY, curated by Sasha Archibald

2006 Word, Platform Gallery, Seattle, WA

Americana, Galeria Arteveintiuno, Madrid, Spain
The Matthew Barney Show, SFBOCA, San Francisco, CA

Pulse with Schroeder Romero, NY, NY
Leave New York, Sweet Home Gallery, NY, NY

2005 Aqua Art Miami with Platform Gallery, Miami, FL

ScopeMiami with Dam Stuhltrager Gallery, Miami, FL
Wagmag Benefit, Front Room Gallery, Brooklyn, NY

Sasquatch Society, sixtyseven Gallery, NY, NY

IAM 5, Parker’s Box, Brooklyn, NY

Momenta Benefit, White Columns Gallery, New York, NY

2004 Art of the Neighborhood, Tastes Like Chicken Gallery, Brooklyn, NY

Paperwork, Platform Gallery, Seattle, WA

Enchantment, Artspace, New Haven, CT

The Ballot Show, Front Room Gallery, Brooklyn, NY

New American Story Art Video and Performance, Eyewash Gallery, Brooklyn, NY

Persona, Dam Stuhltrager Gallery, Brooklyn, NY

Jamaica Flux: Workspace and Windows, JCAL, Queens, NY

Jumble, Dam Stuhltrager Gallery, Brooklyn, NY

2003 Dirty Old Toy Box Video Screening, Fluxcore Gallery, Brooklyn, NY

Drawing Conclusions: Work by Artist-Critics, NYArts, New York, NY

All messed up with nowhere to go, Dam Stuhltrager Gallery, Brooklyn, NY

2002 Cooper Union Summer Residency Exhibition, Cooper Union, NY, NY

Reclamation, MFA Thesis Show, Hunter College Times Square Gallery, NY, NY

1998 Projection, BFA Thesis Show, The Drawing Room Gallery, Syracuse University, NY

 

 

Selected Bibliography/Interviews

Miranda, Carolina A. “Biting The Hand That Feeds Them”, Art News, Dec, 2011

Chayka, Kyle. Alanna Martinez, “8 New York Art Picks for This Week, From Urs Fischer’s Mystery Show to William Powhida’s “Derivatives”,” Artinfo, October 19, 2011

“Show & Tell: William Powhida Takes on the Plutocracy at Postmasters Gallery,” In The Air, Art+Aucion, Artinfo, October 10, 2011

Johnson, Ken. “’POWHIDA’,” The New York Times, August 4, 2011

Cooper, Ashton. “Artist William Powhida Discusses the Outrageous Misbehavior That Notorious Art-World Wastrel, William Powhida,” Artinfo, August 1, 2011

Gopnik, Blake. “An Artist Turns Us All Into Puppets,” Newsweek Daily Beast, July 28, 2011

Droitcour, Brian. “William, It Was really Nothing,” Artforum, August 1, 2011

Finch, Charlie. “William Powhida Useless Tool,” artnet.com, August 3, 2011

Powhida, William. “Dispatch from Sheboygan: Week Three,” Hyperallergic, July 30, 2011

Chayka, Kyle. “The Joke Is On Whom?: Looking for the Punchline in William Powhida’s Burlesque of Art Stardom at Marlborough Gallery,” Artinfo, July 28, 2011

Nathan, Emily. “New Art Gallery Ramble,” Artnet.com July 28, 2011

Vartanian, Hrag. “POWHIDA Is a VIP Douchebag,” Hyperallergic, July 28, 2011

Wallin, Yasha. “William Powhida and the Art of Social Commentary,” Flavorpill, July 27, 2011

Powhida, William “Dispatch from Sheboygan: Week Two,” Hyperallergic, July 22, 2011

Powhida, William. “Dispatch From Sheboygan: On Memory,” Hyperallergic, July 15, 2011

Hirsh, Faye. “The Everyone Artwork”, Art In America, May, 2011

Bhatnagar, Priya. “I like the Art World and the Art World Likes Me”, Frieze, May 2011

Kalm, James. “Brooklyn Dispatches: ‘B’ Fair To Brooklyn”, Brooklyn Rail,

May, 2011

Moret, A. “If These Walls Could Talk”, Whitehot Magazine of Contemporary Art, April 2011

Panero, James. “Gallery Chronicle”, New Criterion, February 2011

Salmon, Felix. “A Guide To The Market Oligopoly System”, Reuters,

December 28, 2010

O’Reilly, Sally. “Dirty Kunst”, Time Out London, December 22, 2010

Saltz, Jerry. “The Year in Art”, nymag.com, December 5, 2010

“Art, #class Interview with William Powhida and Jennifer Dalton”, Idiom.com,

July 13, 2010

Graves, Jen.  “Magical Thinking”, The Stranger, July 6, 2010

Falvey, Emily.  “All That Glitters Isn’t Gold:Kitsch, Bling-bling, and Bullshit”, ESSE  arts + opinions, Spring / Summer, 2010

Cotter, Holland.  “Art in Review: ‘#class’”, The New York Times, March 19, 2010

Haber, John. “Cutting Class”, Haberarts.com, March 11, 2010

Lindholm, Erin. “New York’s Satellite Fairs: Bling, String, and Subversive Things”, Artinamerica.com, March 10, 2010

“SHOW REVIEWED: #class at Winkleman Gallery, NYC”, Onereviewamonth.com,  February 28, 2010

Diaz, Eva. “Critic’s Picks”, Artforum.com, February 28, 2010

Robinson, Walter. “Art Show as Think Tank”, Artnet.com, February 18, 2010

Lindholm, Erin. “The Art of the Crowd”, Artinamericamagazine.com,

February 16, 2010

“New Museum Suicide Drawing Can Be Yours”, Artinfo.com,  January 15, 2010

Jackson, Candace.  “#class Exhibit Challenges New Museum Show”, The Wall

Street Journal, January 1, 2010

Davis, Ben.  “Ten Stories for 2009″, artnet.com, December 28, 2009

Kaplan, Steven.  “William Powhida in A Tale of Three Covers”, post.thing.net,

December 26, 2009

Saltz, Jerry.  “Unearthed Classics and Reinvented Forms: The Best Art of

2009″, nymag.com, December 20, 2009

Davis, Ben.  “Lost in Miami”, artnet.com, December 11, 2009

Cave, Damien.  “Tweaking the Big-Money Art World on Its Own Turf”,

The New York Times, December 6, 2009, pp. C1, C6

Taft, Catherine.  “Critics Picks:  William Powhida at Charlie James”, artforum.com, November 2009

Ollman, Leah.  “Art review:  William Powhida at the Charlie James Gallery”,

Los Angeles Times, November 13, 2009

Robinson, Walter. “Artnet News: New Museum Brouhaha Goes Supernova”,

artnet.com, November 12, 2009

Green, Tyler. “Artist William Powhida on the NuMu’s ‘suicide’”, Modern Art

Notes, November 3, 2009

The Brooklyn Rail, Cover illustration, November 2009

Hegardt, Bjorn. Fukt Magazine, Issue # 7 1/2, October, 2009

Wagner, James.  “SchroRoWinkleFeuerBooneWildenRosenGosianGallery”,

jameswagner.com, May 14, 2009

Cotter, Holland.  “Art in Review: William Powhida ‘The Writing is on the Wall’”,

The New York Times, Friday, May 8, 2009

Johnson, Paddy.  “William Powhida at  Schroeder Romero”, ArtFagCity.com,

Thursday, April 16, 2009

Orden, Erica.  “Lastly, Play the Odds (But Just for Fun)”, New York, May 4,

2009, p. 41

Farr, Kristin.  “Ode to CheapTrick: Art Review ‘I Want You to Want Me’”,

KQEDArts.org, April 26, 2009

Rowan, Lou (ed.).  Golden Handcuffs Review, Spring-Summer 2009, Vol. I,

No. 11, pp. 81-86 (the artwork “How To Write a Masterpiece” reproduced)

Egan, Maura.  “Members Only/Artist of the Month Club”, The New York Times

online, March 24, 2009

Art Lies, “Project Space”, pp. 24-29, reproduction of six works, Fall 2008

Bancroft, Shelly and Peter Nesbett.  “Letters”, art on paper, May 2008, p. 10

Hogan, Felicity.  “Featured Artist”, Lower East Side Printshop Newsletter, Spring

2008

Coburn, Tyler.  “Special Focus: Reviews Marathon, New York; Air Kissing: Contemporary Art About the Art World; Momenta Art”, Art Review, February 2008

Joselit, David.  “All Tomorrow’s Parties”, Artforum, February 2008, pp. 81-84

“You read it here first!”, The Art Newspaper, Art Basel Miami Beach Edition,

Weekend, 8/9 December 2007

Leffingwell, Ed.  “William Powhida at Schroeder Romero”, Art in America,

October 2007, p. 204

Kalm, James.  “William Powhida ‘This is a Work of Fiction’”, The Brooklyn Rail,

June 2007, p. 34

Saltz, Jerry.  “This is a Work of Fiction”, Critics Pick, nymag.com, June 6, 2007

Waters, Juliet.  “Chapbook Odyssey: ‘The Back of the Line’ illustrates the

dark and stormy dangers of incompetent minds”, Montreal Mirror,

May 17 2007

Wolff, Rachel.  “‘New York’ Magazine Loves William Powhida. Sort of.”,

nymag.com, May 11 2007

Walczak, Larry, “Williamsburg/Brooklyn Art Scene”, blog.eyewashart.com, Sept. 10, 2006

Littman, Brett, “Material Culture”, www.wps1.org, edition #8, July 17th, 2006

Polnyi, Irene, “William Powhida, come back to New York”, MediumNYC, April 19th, 2006
Tran, Tam, “Dialogue”, www.the-wick.com, 2006

Graves, Jen, “I’m Nobody Still”, The Stranger, Vol. 15, No. 30, 2006

Kelly, Sue, “William Powhida”, The Seattle Weekly, April 5th – 11th. 2006

Miller, Jeffery, “William Powhida Interviewed by Jeffery Miller”, www.platformgallery.com, 2006

Kalm, James, “The Ballot Show”, The Brooklyn, Rail, January 2005

Lippens Nate, “Whimsy and Cocaine Ziggurats,” The Stranger, Dec 9th – 15th, 2004

Hackett, Regina, “These Artists’ Visions are all in ‘Paperwork’,” Seattle Post-

Intelligencer, December 3rd, 2004

Kalm, James, “Bill of Wrongs: Will the Real William Powhida Please Stand up,”

November/December 2004, Vol. 9, No. 11/12

 

Performances and Lectures

2011 University of Illinois Urbana-Champaign

School of the Museum of Fine Arts

American University

2010 Syracuse University

Surviving the Art World Using the Art of Sorcery, Hyperallergic, Brooklyn, NY

 

Awards

2011 Kohler Arts Center Residency

2002 Cooper Union Summer Studio Residency

1998 3rd Place Salt Hill First Annual Hypertext Competition (Publication)

1998 Hiram Gee Senior Painting Award (Financial)

1997 Roswell Hill Junior Painting Award (Financial)

 

Collections

Whitney Museum of American Art

 

Selected Criticism

2006 “Cabin Comforts”, The Brooklyn Rail, July/August

“Jennifer and Kevin McCoy”, The Brooklyn Rail, April

“Pre-Occupation”, The Brooklyn Rail, April

“Urban Landscapes”, WAGMAG, May

“Ten New Paintings”, The Brooklyn Rail, February

2005 “Manufactured Landscapes: The photographs of Edward Burtansky,” The Brooklyn Rail, Nov

“Enemy Image,” The Brooklyn Rail, September

“Jon Paul Villegas,” The Brooklyn Rail, September

“Cai Guo-Qiang,” The Brooklyn Rail, June

“Under The Rainbow,” The Brooklyn Rail, June

“Eric Heist,” The Brooklyn Rail, May

“Jules DeBalincourt,” The Brooklyn Rail, April

“Tim Hawkinson at The Whitney Museum of American Art,” The Brooklyn Rail, March

“Jonathan Schipper and Simon Lee,” The Brooklyn Rail, March

“Thomas Lendvi,” The Brooklyn Rail, February

“Kerry James Marshall: One True Thing,” The Brooklyn Rail, December/January

2004

Total Environment,” The Antiquer, October

Seeing Others,” Marianne Boesky Gallery, The Brooklyn Rail, September

WMD,” Front Room Gallery, The Brooklyn Rail, July/August

“Two enter and one leaves at YEAR,” The Brooklyn Rail, June

“Open House at BMA,” The Antiquer, June

“MoMA at El Museo,” The Antiquer, May

“Indigestable Correctness Parts I & II,” The Brooklyn Rail, May

“Abigail Lazkoz and Francisco Lopez at Momenta Art,” The Brooklyn Rail, April

“Paradise Now at The Asia Society,” The Brooklyn Rail, April

“Creative Time,” The Antiquer, April

“Olaf Breuning at Metro Pictures,” The Brooklyn Rail

“Crossing the Channel at The Met,” The Antiquer, February

“Uses of Americana in Contemporary Art,” The Antiquer, January

2003

“Guy Richards Smit at Satellite®,” The Brooklyn Rail, December/January

“David Opdyke at Roebling Hall,” The Brooklyn Rail, December/January

“Patrick Martinez at Parker’s Box,” The Brooklyn Rail, December/January

“Jason Middlebrook,” The Brooklyn Rail, November

“One on one,” The Brooklyn Rail, November

“Religious Desire,” artnet.com

“Jim Shaw at Metro Pictures,” The Brooklyn Rail, October

“The American Effect,” CIRCA, September

“Outpost,” The Brooklyn Rail, August-September

“Focus Group,” The Brooklyn Rail, August-September

“Exit Art Biennial,” The Brooklyn Rail, June-July

“Grounds,” The Brooklyn Rail, June-July

“Clutter and Clarity,” artnet.com

“Harriet Shorr,” The Brooklyn Rail, April-May

“Global Priority,” The Brooklyn Rail, April-May

 

* I don’t really exist before this.


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