My studio mate, Magale, took me up on my claim about making the Art in America Review an original work of art and I signed my first copy on Wednesday. I found it amusing, since I don’t think Magale particularly even likes my work, though she she understands it. The appropriation seems like a logical conclusion to the editorial decision to juxtapose my review next to the review of Dash Snow and Dan Colen’s Nest at Deitch, as well as the Terence Kho review. The critique posited by the show is simply carried on in the context of the magazine. It’s like much of my work, where the magic happens when someone responds.